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Growing up with ‘Toy Story’: Andrew Stanton on 30+ years with Woody and Buzz

Andrew Stanton reflects on 34 years with Toy Story, discussing its growth and enduring appeal, as the fifth installment approaches release.

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Editorial Team
April 29, 2026
2 min read
Andrew Stanton has spent over 34 years deeply involved with the ‘Toy Story’ franchise, from writing the first three films to co-directing the fifth. While he acknowledges that the series wasn’t initially planned, it became a cornerstone of his career at Pixar, alongside other acclaimed works like ‘A Bug’s Life,’ ‘Finding Nemo,’ and ‘WALL-E.’ The franchise’s growth reflects both commercial success and artistic ambition. Toy Story 2 and Toy Story 3 each grossed over a billion dollars, and Toy Story 5, set for June 12 release, is expected to follow a similar trajectory. Stanton emphasizes that while business considerations drive decisions, the creative vision remains paramount. The franchise’s episodic storytelling aligns with modern viewing habits, contrasting with traditional blockbuster models. Stanton’s vision for Toy Story 5 explores themes of legacy and change, particularly through the introduction of a new character, Lilypad, which challenges Bonnie’s toys. He highlights the complexity of navigating such dramatic shifts, noting that the film’s focus on play and imagination builds on earlier elements like Toy Story 3’s exploration of these themes. Beyond Toy Story, Stanton’s work reflects a broader philosophy: creating films for future generations. He points to his grandchild’s enjoyment of Pixar movies, underscoring the franchise’s enduring appeal. Stanton’s approach to Toy Story 5 involved collaboration with Kenna Harris, who brought a fresh perspective as a co-writer and director. Their shared passion for timeless storytelling resonates with the franchise’s core mission. The film’s release marks a reflective moment for Stanton, who has spent decades crafting the Toy Story universe. Toy Story 5’s release at Skywalker Ranch allowed him to appreciate the film as a complete work, rather than the ongoing project it has been. Stanton’s reflections emphasize the magic of storytelling, where the creator’s presence is forgotten, and the audience is immersed in the characters’ lives.

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Editorial Team

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